Showing posts with label lorenzodom. Show all posts
Showing posts with label lorenzodom. Show all posts

Wednesday, November 9, 2011

Heavy D is Dead


Heavy D, the overweight luva, was a rap star, musical icon of my youth. He died yesterday, at the age of 44. I’ll be 44 myself in two weeks, so it was a healthy reminder that I am likely not immortal…after all.

Thus, I thought I’d pay tribute by posting a few of his better known lyrics here from his hit song, More Bounce.

Height—six-three, style —swing beat
Name—Heavy D, so just watch me
Car—Chevy - four by four Blazer
Favorite pasttime? Skeeze chaser!
Size—ten and a half, sometimes eleven
Place of rest after death? —Heaven

Tuesday, November 8, 2011

Money is the cheapest thing



*Photo still from the film Bill Cunningham New York, a film by Richard Press

"You see, if you don’t take money they can’t tell you what to do. That’s the key to the whole thing, don’t touch money! It’s the worst thing you can do. Money is the cheapest thing. Liberty is the most expensive."

—Superstar NY Times Street Fashion Photographer Bill Cunningham explaining why he didn’t accept payment for the 100 page spreads of photographs he shot for the original Details magazine in the late 80’s.

Thursday, December 2, 2010

NO MONSTERS HERE!


NO MONSTERS HERE!
Originally uploaded by lorenzodom

December 1, 2010, New York City:

Last night we came across on advertisement on the capitalone.com bank site. Lo and behold, to my great surprise, it had a photo of my oldest son Enzo, which I sell via Getty Images.

This is a screenshot of the ad. Click here to see the original photo, taken almost exactly 7 years ago on November 29, 2003.

I thought it was cool and very funny, and so I wanted to share it with my friends and readers.

Happy Holidays,
Lorenzo

Tuesday, May 18, 2010

World Renowned Painter Claudio Filippini Inspired by Another Lorenzodom NYC Street Photo


World Renowned Painter Claudio Filippini Inspired by Another Lorenzodom NYC Street Photo
Originally uploaded by lorenzodom

A special thanks to Italian painter Claudio Filippini, who just informed me that he has finished another painting inspired by one of my photos, the most beautiful day of the year. It is now the featured work on the homepage of his website.

The first painting he created was inspired by my photo, This Is New York!, which he finished in October of 2008.

Please check out Claudio's work at www.claudiofilippini.it

Mille Grazie,
Lorenzo

Thursday, May 13, 2010

Understanding Human Nature Through Movement: An Interview with Tango Photographer Adriana Groisman


Understanding Human Nature Through Movement: An Interview with Tango Photographer Adriana Groisman
Originally uploaded by lorenzodom

© Adriana Groisman, Osvaldo & Lorena, La Ideal, Buenos Aires, Argentina. Tango, Never Before Midnight series.

(Originally published by En Foco, May 13)

In 2002, Academy award winner Robert Duvall wrote, directed and starred in Assassination Tango, a feature film which follows an assassin who gets caught up in the world of the milongueros–those who frequent the nocturnal dance halls of Argentina. Duvall created this film in honor of a longtime obsession of his – dancing tango with his girlfriend in Buenos Aires.

A year after his film was released, Duvall explained his passion to correspondent Charlie Rose, “It gets in your blood in a quiet way, kind of a sweet thing that sits there. He’s leading, he’s telling her what to do, but she embellishes. But in our politically correct world, up in the United States, they call it the leader and the follower. Down here, they call it the man and the woman. Ha ha.”

Duvall conceded that despite years of dancing it was not easy to make the film, because “You just can’t take a crash course to be a tango dancer in a movie.”
Photographer Adriana Groisman would likely tell you much the same, you can’t just go into a dance hall and start taking pictures, at least not if you wish to capture the subtleties that make this pastime so intriguing to so many who have likewise fallen in love with the dance.

Born in Buenos Aires, Argentina, Groisman has been a photojournalist since 1985, with work appearing in major publications in the USA and abroad. She has been taking photos of the milongueros for over 15 years, and her sophisticated understanding of the people, the culture and the rich meaning in each turn, every pause and all the subtle gestures exchanged between the dancers is clearly visible in her work.

I had a chance to catch up with Adriana at her recent opening to her En Foco Touring Gallery exhibition: Tango, Never Before Midnight (on view through June 21, 2010). Our discussion follows.

Do you remember the first time you used a camera and when you wanted to become a photographer in earnest?

I remember that my father gave me a Kodak Fiesta when I was six years old. However, I did not begin to take photography seriously until I decided to become a photojournalist.

My first real job was as a physical education teacher during the military dictatorships that marred our country from 1976 until 1983. In Argentina it is often known simply as la última junta militar (the last military junta) or la última dictadura (the last dictatorship), because several of them had existed throughout our history.

Initially, I loved being involved in athletics, especially because it endowed one with a great sense of confidence, one that made you believe that no one could repress you.

Alas, reality set in for me and I was disenchanted after having to teach high school students how to march. I did it for three years and then decided that I had enough. At the same time that I was teaching, I was working with abused children and I used to take photos of them while helping out.

Moreover, despite my disheartening experience at work, I loved sports, especially gymnastics. So when Nadia Comăneci , who many consider the greatest gymnast of all time (winner of three Olympic gold medals at the 1976 Summer Olympics, the first gymnast ever to be awarded a perfect score of 10 in an Olympic gymnastic event, and the winner of two gold medals at the 1980 Summer Olympics) came to Buenos Aires in the early eighties, a friend of mine asked me to take pictures of her. It was then that I realized that I loved photography and I particularly loved capturing the grace and grandeur of movement.

A friend of mine who was a photographer in New York at the time knew of my aspirations and encouraged me to make the big move to the Big Apple. He said if I wanted to become a serious photographer, New York City was the place to do it. I arrived in October of 1983, and, based on his advice, I took courses at ICP (the International Center for Photography).

My first job was for an Argentine Magazine, La Semana. I vividly recall my very terrifying first assignment —to interview a criminal. He slammed the door on us.

Things got a lot better though and I quickly fell in love with the myriad interviews of journalists, authors, actors, politicians and others I was assigned to do. An interview, if it is performed well, gives you a level of insight and intimacy that has always fascinated me.

Do you remember the first time you wanted to focus on the life and culture of Tango?

I have long been attracted to documenting sub- or underground cultures. Before I began my Tango project I had spent a substantial amount of time, effort and emotion on a long-term project about the life of transvestites.

I had developed a number of good relationships with my subjects, but then had a falling out after a few heart-breaking experiences. Thus, as devastated as I was, I decided that I couldn’t pursue that project anymore. My saving grace was my next long-term project, the life of the milongueros, the regulars at the Argentinean Tango dance halls, who I would also consider a subculture.

That said, I do not regret my time with the transvestites. Because, much like the Milongueros, I have found that both groups are rather wise about people. It is a bit difficult to express in words and through my photographs even, but the more experienced dancers tell me that they can tell a lot about a person simply by how they embrace you while dancing. Having spent so much time with them, I can fully attest to their deeper understanding of human nature.

Moreover, both of these projects have taught me that it is vital to judge people a lot less, and to be much more accepting of others’ idiosyncrasies, quirks and penchants.

Can you tell us more about your exhibition—Tango, Never Before Midnight.

The show is a work which records the world of the milongas –traditional Argentinean tango balls– and their patrons, the milongueros. Each night at the milonga is a dramatic cycle in itself, an erotically charged arena where issues of power and gender are played out. Fleeting relationships, alliances, rivalries, jealousies and games of seduction occur, leading to the encounters on the dance floor. These negotiations are carried out through furtive glances and minute gestures, parts of a ritual that can go completely unnoticed by outsiders.

Milongueros tend to speak very little; even if they have been dancing with each other for years they never ask each other’s last names, addresses or professions. This is one of the unspoken rules of the “real” milongueros. Another implicit rule is that the invitation to dance is never verbal. Rather, this is done through a complex series of interlocking gazes and body attitudes.

At the milonga, a great social equalizer, class, age and physical appearance recede. The dancing is what counts, the body connection, the feeling for the music.

In many of your Tango photos there is more black than white, more dark than light, seemingly leaving more to be said than to be seen. What are your thoughts on this mode of seeing this world?

Yes, Tango is about the mystery of life. It is a very suggestive art, a rather subtle dance, which to the untrained eye may appear as if nothing is happening, but in reality everything is happening. It is a game of both containment and surrender. An experience that reaches deep, but on the surface remains so subtle.

This is the magic of magic of Tango and what I have tried to capture in my photos for 15 years.

****

Tango, Never Before Midnight, is an En Foco Touring Gallery exhibition at Pregones Theatre from May 1 – June 21, 2010.

Adriana Groisman will be giving an artist talk at the theater on Saturday, May 15 from 1:00 to 2:00 pm. The event is free and open to the public.

Location
Pregones Theatre
571 – 575 Walton Avenue @ 149th Street
Bronx, NY 10451 718-585-1202

For More Information
www.adrianagroisman.com
www.enfoco.org

Wednesday, August 5, 2009

my photos on getty images


my photos on getty images
Originally uploaded by lorenzodom

Today, I am celebrating, because much like many of my fellow good flickr members I finally made the effort to make the most of an outstanding invitation from Getty Images to contribute to the flickr collection on their reputable website.

Take a look, I think you'll like what you see!

My Photos on Getty Images

Friday, January 23, 2009

Now, There is Hope


Now, There is Hope
Originally uploaded by lorenzodom

Photo: The inspiring view from my office window this afternoon, overlooking Madison Square Park at the corner of Madison Avenue and 26th Street in New York City, U.S. of A.


“If there is anyone out there who still doubts that America is a place where all things are possible; who still wonders if the dream of our founders is alive in our time; who still questions the power of our democracy, tonight is your answer.”
Barack Obama at Grant Park after his election, November 4, 2008

Now, There is Hope

January 23, 2009, New York City:


I’m feeling post-inauguration glee.

For now I feel, despite eight years of being misled by a confederacy of dunces, we now have a true leader at the helm.

Moreover, he is black.

Wow, how did that happen?

I honestly never thought I’d see the day when we might have an African-American, or any “person of color” really, in the Oval Office.

I just didn’t have that much hope for the American public and I was convinced that prejudice would still reign over reason.

Thank God I was wrong.

Because, now, I feel anything is possible.

Because, now, I feel that indeed we shall overcome.

Because, now, I feel that after 40 days and 40 nights in the valley of death, we can now begin our ascent in earnest to the mountaintop.

Because, now, I feel there is hope.

And for the first time in my life, I actually feel proud to be an American.

Thank you President Obama for instilling some much-needed faith in me.

I’m ready to pitch in to do whatever I can to help this country, and this world, recover.

I’m ready to make an effort to do more for others and less for myself.

I’m tightening my belt, making “less is more” my mantra, and I’ve already signed up to help out at the Soup Kitchen next month.

I’m also resigned to spend less on things I don’t need and more on those things that make life truly meaningful—more quiet time at home, more time reading, more time creating, rather than consuming.

And finally, and perhaps most importantly, I’m looking forward to spending more time with those I love—my boys, my beautiful girlfriend, and all my great friends and family.

Thank you once again for inspiring me Mr. Obama. You give God Bless America new and truer meaning.


O beautiful for patriot dream
That sees beyond the years
Thine alabaster cities gleam
Undimmed by human tears!
America! America!
God shed his grace on thee
And crown thy good with brotherhood
From sea to shining sea!
America The Beautiful, Katharine Lee Bates


“What is required of us now is a new era of responsibility — a recognition, on the part of every American, that we have duties to ourselves, our nation, and the world, duties that we do not grudgingly accept, but rather seize gladly.”
President Barack Obama’s inaugural address, January 20, 2009

Monday, December 8, 2008

Wishful Thinking


Wishful Thinking
Originally uploaded by lorenzodom

"The only cure for vanity is laughter, and the only fault that is laughable is vanity."
Henri Bergson


November 14, 2008, New York City:

Wishful Thinking


Until very recently, just last week in fact, I thought I was immortal.

Well, perhaps I didn’t feel I could beat death, but rather, somehow, often hubris got the best of me and I felt that I aged better—less rapidly—than others.

Thus, until now, I mocked my mortality.

Any time that I noticed a sign that my years were numbered—a grey hair, ailing bones, tired muscles, weight gain due to ABD, withering eyesight—I merely accepted the inevitable and laughed my worries away.

That is, until now.

For last week I nonchalantly and naively went to get a haircut.

I thought nothing of it. I had a very long day ahead of me for I was managing both a 4-hour senior managers meeting for 80 people in the morning and our department’s annual holiday party for 400 people at night, so I got up at 5 and was at the barber shop by 7.

I told him, “Just give me a trim.” I didn’t need to say much more because Edie, a Russian Jew from Israel, had been cutting my hair for almost nine years now, the same amount of time I’d been working at the Company right around the corner.

Together we’ve been through two divorces, a second marriage, and four kids.

After he held up the mirror to show me how the back looked, I smiled and asked him to give me some hair gel.

He immediately responded, “No, no leave it like it is, your hair is getting thinner.”

“…my hair is getting thinner?” I thought to myself, both momentarily shocked and immediately thrown into a vertigo-of-explanation.

“What do you mean, my hair’s getting thinner? Really, my hair’s getting thinner?” I asked. And after spinning woozily through all the possible explanations—I didn't gel it this morning, knowing I was getting it cut, so it felt soft to him; I've been using a lot more conditioner lately, thus its lithe texture; it hadn't been too long since I got my last haircut—I finally accepted that my barber, the guy who knows my hair better than anyone in the world, was telling me my hair’s getting thinner.

He knew I was suddenly taken aback and somewhat in shock and tried to console me by lying, “Yeah, yeah, you know the gel can do that to your hair.”

I wasn’t satisfied by his ruse though and probed, to my dissatisfaction, even further. “Really, my hair’s getting thinner?” I grimaced, dazed and confused.

Tight-lipped, he raised his brow and conceded, “Yeah, it is getting thinner on top.”

Handing him his money, I smirked back and tried not to blame the messenger .

*

The rest of the day I worked literally nonstop from 7:30 AM until 9 PM, so that I had little-to-no time to ponder this startling revelation.

For the most part I shrugged it off, half in disbelief, half banking on 40 years of good looks and being told I had great hair.

I’ve been told numerous times by barbers and girlfriends alike, “Mexicans have great hair.” And they do. And I am.

But what I’m not, apparently, is immortal. Because, just like everyone else, Mexicans lose their hair too.

Thus on Saturday evening, when Chelsea and I were attending Anna’s art opening with the kids, I told Enzo that he must milk the recent compliments about his golden locks of curly jet black hair while he can.

Apparently, since his mother finally conceded to my pleading to let his hair grow out, women now constantly tell him, “I love your hair!”

Enzo received one such compliment after I introduced him to Sharon at the opening. His reaction was a nonchalant and unamused “Thanks,” walking away as if he had heard those same words a million times before.

*

Apart from this moment of paternal wit, I had successfully ignored the issue for a couple of days, focusing more on the shock of hair, a goatee, that I was growing and grooming on my chinny-chin-chin, than that which apparently had stopped growing atop my head.

That is, until later that same Saturday night.

Chelsea and I had just left the kids behind with the babysitter and we were walking briskly across 62nd Street to the Empire Hotel for Jennifer’s birthday party. It was snowing and bitter cold, so to warm us up I decided to share the funny anecdote about how Sweeny Todd, the demon barber of 28th Street, had told me my hair’s getting thinner.

I fully expected Chelsea to simply laugh with me as I mockingly made fun of my age, my diminishing sense of manhood, and my realization that I was on a journey of no return, but instead she said, “Yeah, that’s one of the first things I noticed about you when we started dating (a year ago).”

“What?,” I reacted, startled more than ever.

“You must be kidding,” I honestly questioned in disbelief.

“No, you're losing hair on the top of your head,” she said, without a losing a beat, without any thought that I might not handle this news very well.


“There is nothing so agonizing to the fine skin of vanity as the application of a rough truth” Edward G. Bulwer-Lytton


Thus, once again, within a matter of days, I was injected with a painful dose of reality—as wise as I may be, the price is determined by the rising costs of age; no comps or free passes here, no Pass Go and Collect $200, no exceptions to the rule this time.

Thus, for the rest of the night I had to allay my growing fears with self-deprecating humor.

Thus, began my obsession in earnest.

Thus, I had to come to terms with my hair-o-noia, the fact that my hair is thinning—i.e. it is falling out, I am going bald, I am getting older, and I’m not half the man that I used to be.

*

I kind of wish that I had learned this lesson before I blew out my candles a few weeks before for my 41st birthday.

Alas, that is only wishful thinking.

Nonetheless and allthemore, I think I’m over my crisis now. Writing about it has always been a great and reliable catharsis for me.

Besides, I have much to grateful for and a gradual loss of hair should be the least of my worries. For there are many-many-millions of people out there without jobs, without homes and without any hair right now.

Moreover, Chelsea said she’d still love me no matter what, with or without hair. So, I’ve got that going for me.

I love you too Chelsea.

Lorenzo

“The surest cure for vanity is loneliness.” Thomas Wolfe


Related Stories:

Stubble Trouble
It’s Not Easy Being a Baldwin…(I’ve got ABD)
Seeing, Into The Future
The Exuberance of Enervation
I am beginning…
But a Number
Aging and Anonymity
It was a good 40 years
Almost 40

*

Check Out My Bookstore:
www.blurb.com/user/store/lorenzodom

Friday, November 21, 2008

Give The Gift of Inspiration: Inspire Someone You Love


25 Lessons Book Launch Party: Mark Rapp & Paved Earth Music
Originally uploaded by lorenzodom

A hearty thanks to Mark Rapp and Paved Earth Music once again for their generous support of my book launch party for 25 Lessons I’ve Learned (about photography) held on October 25.

PEM recently posted photos of Mark performing on their website. Check them out here: pavedearthmusic.com

25 Lessons is exclusively available online at blurb.com. It is sold at cost because I prefer that my work be read and inspire many, than to make a small profit off a mere few. Click HERE to visit my bookstore.

So, if you are looking to give a meaningful holiday gift this year, please consider giving those you love a copy of 25 Lessons.

The relaunched and retitled version of the book, contains the same great story as the original (25 Lessons: The Art of Living) and now also showcases the 25 prints from my first solo show in New York, 25 Decisive Moments. You can see a slideshow of these photos online at ARTslant.

To find out more about the book, the story and the author, please visit www.25Lessons.com

I’d also like to recommend purchasing my friend Mark Rapp’s debut album, soon to be released by Paved Earth, entitled Token Tales. For more information about Mark, his debut album and where to purchase it please check out:

www.markrapp.com
pavedearthmusic.com

And please tell them Lorenzo sent you…

Regards,
Lorenzo

Wednesday, November 19, 2008

Down & Out in NYC


Down & Out in NYC
Originally uploaded by lorenzodom

The famous psychiatrist, Dr. Karl Menninger said, “Attitudes are more important than facts.” That is worth repeating until its truth grips you. Any fact facing us, however difficult, even seemingly hopeless, is not so important as out attitude toward the fact. How you think about a fact may defeat you before you ever do anything about it. You may permit a fact to overwhelm you mentally before you start to deal with it actually. On the other hand, a confident and optimistic thought pattern can modify or overcome the fact altogether.

Norman Vincent Peale, The Power of Positive Thinking

Friday, November 14, 2008

A Question of Love


A Question of Love
Originally uploaded by lorenzodom

Spread Happiness: Gay Marriage is a Question of Love

November 10, 2008, New York City:


Please take a moment to watch this important video, A Question of Love by Keith Olbermann, Anchor for MSNBC's 'Countdown,' and then pass it on to others.

You can read the transcript here: Marriage is a Question of Love

As is written on Paul Jeromack's facebook page, where I originally came across this beautiful commentary, "If you don't tear up watching this, you have no soul."

I couldn't agree more.

Lorenzo

Wednesday, November 12, 2008

Miami Vice


Miami Vice
Originally uploaded by lorenzodom

Plotting My Escape
November 11, 2008, New York City:


It’s that time again.

The air is cold and uninviting, and my mood—lamentably somber.

The leaves are falling, people are coughing and constantly zipping their liners in and out of their coats; I have the urge to shutter myself away somewhere where no one can find me, so that I might find myself again, because, frustratingly, I’m feeling lost.

And my buttons are falling off again and the cuffs and collars of my shirts are fraying too, but this time—I’m not as inspired to fix them.

Things are in flux everywhere.

There’s a promising transition to power in place that has people dancing in the streets.

Yet, there’s also a looming concern that has people looking over their shoulders, worrying a little more than usual, being all-too-easily irked by strangers pushing against them in crowded subway cars, and fretting about the future—of our jobs, our homes and our disappearing retirement funds.

And yet, we are the lucky ones.

Because there are also a lot more people sleeping in the streets and in the doorways of empty retail spaces and under scaffolding and on top of any warm grate available in cities all across the country.

I recently went to Miami for a few days to try and relax, but instead I just became more restless. To relieve the boredom I took to taking photos in the streets of the night crawlers passing homeless people and hapless drunks sleeping on the sidewalks or in storefront nooks. I couldn’t help but notice that there were a lot of them.

Chelsea recently told me that the bums that come in daily to the hospital are complaining, “There ain’t no more spots anywhere, anymore” and that if they leave their spot to come into the hospital, its gone by the time they return.

A phenomenal number of foreclosures (over 2 million this year alone, almost double last year’s), the highest unemployment rate in 14 years, higher food and medical care costs, and decreases in social welfare programs over the last 8 years have all led to an “alarming” increase in homelessness across the nation, according to a recent article by USA Today.

Thus, my somber mood.

Thus, this lament.

Thus, the yearning to cloister and fall off the edge and into the fire, so that we may rise again ,renewed.

Alas, I am no Phoenix, I am no Christ, no Joan of Arc.

But, I can fix buttons.

Saturday, November 8, 2008

Men For Others


Men For Others
Originally uploaded by lorenzodom

Note: Photo taken at Nine Rivers Gala at Rubin Museum on October 7, 2008.

"Are there, infinitely varying with each individual, inbred forces of Good and Evil in all of us, deep down below the reach of mortal encouragement and mortal repression -- hidden Good and hidden Evil, both alike at the mercy of the liberating opportunity and the sufficient temptation?" Wilkie Collins

Men For Others
November 7, 2008, New York City:


Over twenty years ago, in the Fall of 1985, I was an eager freshman sitting in one of the first four rows of Psychology 101, one of my all-time favorite college courses at UCLA.

It was with this introductory class that I immediately fell head over heels for the subject of the human mind—our motivations and our behaviors, and whether or not what we did and thought was “nature or nurtured.”

"The most beautiful as well as the most ugly inclinations of man are not part of a fixed biologically given human nature, but result from the social process which creates man.” Erich Fromm

Thus, I have long been obsessed with watching and listening to people closely.

Thus, I adopted writing, and later adapted photography based on the lessons learned from writing, as the creative means by which I capture and coalesce and craft my thoughts on such matters.

Thus, I first came to contemplate the question “Is man inherently good or evil?” In other words, do we tend to behave selfishly or do we consider others before we act?

"Scenery is fine - but human nature is finer.” John Keats

Since then, I’ve come to have a better grasp on human penchants and proclivities, both through what I’ve observed and experienced, often time and time again, but also through many of the scientific studies and conclusions I’ve mulled over by experts in the fields of psychology, sociology and neuroscience.

In turn, I’ve learned that the mind and our subsequent “natures” are as malleable as they are predictable.

Thus, one might readily conclude that, ultimately, human nature is neither “good” or “bad,” but as Shakespeare wrote—thinking merely makes us so.

A few years after my psych 101 class I came across a poem translated by Sir Richard Burton that I immediately adopted as my own; as my modus operandi, as a means of understanding human nature and coping with life and with others:

Kasidah Haji Abdu'l el Yezdi

There is no Good, there is no Bad;
These be the whims of mortal will.
What works me weal, that I call good;
What harms and hurts I hold as ill.
They change with place, they shift with race,
And, in the veriest span of time,
Each Vice has worn a Virtue's crown,
All Good was banned as Sin or Crime.

For many-many years I have believed and lived by those words, which have allowed me to see and understand and appreciate and tolerate a lot more than most common souls would let themselves comprehend and experience.

"The more one analyses people, the more all reasons for analysis disappear. Sooner or later one comes to that dreadful universal thing called human nature.” Oscar Wilde

However, that said, regardless of the depth of my belief in cultural relativism, I have a much-much stronger faith that often supercedes my attempts to judge and intellectualize all things as being equal—for I believe that people are inherently good.

I realized last night that I owe this important belief to the fact that I had the great fortune of attending Bellarmine College Preparatory (www.bcp.org) in San Jose, California from 1981-1985.

Founded in 1851, Bellarmine is a Jesuit run high school that follows the philosophy of St. Ignatius Loyola, who founded The Society of Jesus in 1540. At the core of his pedagogical philosophy, Ignatius saw “education as a way to lead young people not simply to care for others but to ‘find God in all things.’”

Thus, last night became a particularly poignant moment for me when I realized part of the reason why I had immediately concluded that man is inherently good when Professor Shapiro first posed the question in the Fall of 1985. For apparently, the Jesuits had done a great job of instilling this belief in me, during the four years prior to college.

I had this epiphany last night, because I attended a gathering of alumni from my prep school. It was a fairly small assembly of about 35 graduates living in the New York tri-state area, who represented a 63 year span, one of them being from the class of 1945. Most however, had graduated within the last ten years, and a significantly large contingency, about six of us were my classmates from 1985.

"You can learn more about human nature by reading the Bible
than by living in New York.” William Lyon

One particular classmate had actually come from California to New York City just for the day, just for this gathering. Pat Wahler (’85) was in town because he is now the Director of Development at our alma mater. Originally, in addition to Pat, he was to be accompanied by the school’s President, Fr. Paul Sheridan, S.J. as well the Chairman of the Board of Regents, an alumnus from the class of 1977.

Alas, the recent financial crisis put a damper on those plans, and so Pat came alone. And as Pat put it, these dire times have also hampered philanthropy in general, most of his pleas being met with silence, rather than pledges, these days.

Nonetheless, without a solicitation from him, toward the end of the evening I wrote out a check to BCP and handed it to Pat, simply because I had been moved by a conversation that led to my aforementioned epiphany.

*

I’ve been long proud and shamelessly boastful of my experience at Bellarmine.

To the chagrin of my ex-wife, I still occasionally taunt her with the dream that our boys should go live with their grandmother in California to attend Bellarmine when they come of age. And albeit I realize that it may only be a dream and that sending them across the country for school would break their mother’s heart, I still find myself hoping and praying they will follow in their father’s footsteps.

Part of the reason I speak so glowingly about my experience at Bellarmine is that, as with most others, attending the school came at a critical time in my development as a person, as a human being, and as a man.

Thus, going to a conservative all-boys school allowed me not to be distracted by many of the social pressures others face and offered me the opportunity to focus on academics and explore my potential as a person.

It was here that I first adopted exercise as a lifestyle, running in the cross-country and track team for the last three years. It was here that I participated in a number of theatrical productions and engendered a greater appreciation for acting, music, dance and the arts in general. And it was here that I fell in love with literature after reading James Joyce’s Ulysses as a sophomore and from that point forward—I knew I was born to be a writer.

Perhaps most importantly though, it was at Bellarmine that I also learned and lived the importance of helping, caring for and giving to others.

Thus, it is no surprise, that when I visited the school’s website this morning, I read that part of the school’s mission is to “form ‘Men for Others,’ leaders who will make a difference in tomorrow's world.”

While I was there, I simply thought I was attending a "good" school that would prepare me for greater things to come. What I didn’t realize was that I was being endowed with a greater sense of altruism as well.

Ironically, it was during my junior year that I technically became an “atheist” or more specifically someone who no longer believed in a “higher being.” I had written what I thought was a great paper on the historical origins of the concept of the devil and received a B+. Not getting an A+, as I strongly believed I deserved, perturbed me so much that I almost immediately overcame my fear of no longer “believing” and declared myself, if only silently, to be a heathen.

" . . . a belief in a supernatural source of evil is not necessary;
men alone are quite capable of every wickedness." Joseph Conrad

However, what I did continue believing was in the importance of “finding God in all things.” The difference for me, was that “God” was simply a synonym for what is “Good” in life.

*

"One of the most tragic things I know about human nature is that all of us tend to put off living. We are all dreaming of some magical rose garden over the horizon—instead of enjoying the roses blooming outside our windows today.” Dale Carnegie

Over the years I have cultivated, honed and manifested this existential philosophy in a number of ways, most significantly today, in my writing and photography. My motto for the latter is that I am “inspired by and aspire to make impressions of daily life, because I love life.” Thus, I try to convey through my work how one can readily find the extraordinary in the ordinary, and how one can find beauty (i.e. good) in almost everything and everyone. Because everything is beautiful.
"Really, I don't like human nature
unless it is all candied over with art.” Virginia Woolf

What ultimately drove this point home for me though, and why I give my experience at Bellarmine so much credit, is that I was having a conversation with Pat and two of our other classmates, Chris Kearns and Greg Ahearn, and we began discussing the fate of a fellow classmate who was in deep-deep trouble.

In sum, our classmate, William "Boots" Del Biaggio, the son of a well-known Bay Area banking family and co-founder of the investment firm Sand Hill Capital, was a prominent Silicon Valley financier who was accused of major fraud this year. The accusations include defrauding a bank to secure a $10 million loan that he used to buy an ownership stake in the NHL's Nashville Predators, and providing forged documents to financial institutions to land multimillion dollar loans that he has not repaid.

Alas, for Boots, the trouble caused be the three separate law suits was abetted by the media frenzy that followed, as the local papers had a field day exploiting the extravagance of his previously lavish lifestyle.

"It is not human nature we should accuse, but the despicable conventions that pervert it.” Denis Diderot

Nonetheless, regardless of what Boots has or has not done, Pat, Chris and Greg all said that they called him to see how he was doing. No judgments, no prurient inquiries, simply calls from old friends to offer some moral support.

Pat told us of one conversation he had with Boots, who told him that he was particularly appreciative that his friends from Bellarmine had called him, because apparently no one else had—not a single person from college, work or any other associations formed after high-school.

Hearing this struck a vibrant chord in me.

For it was then that I realized one of the major reasons why I am so damn proud of being a graduate of Bellarmine. For the longest time, apart from all the reasons I’ve mentioned above, there was still a certain-something that I couldn’t put my finger on. Listening to how my classmates reached out to their fellow former football teammate in times of trouble immediately sparked my epiphany.

I relayed this to Pat a little later on, as I handed him my check. “You know, our conversation about Boots made me realize why I loved going to Bellarmine so much, because it was a great example of how we were taught that ‘all men are inherently good,’ and that we should never lose faith in that important belief.”

Pat subsequently used my comments in his remarks to the group, to drive home the importance of supporting our alma mater. Because it is especially important to realize that during financially difficult times like these, that our education was invaluable. And that we are blessed with the challenge to prove ourselves worthy of a distinguished institution that has long produced “Men for Others.”

"Our deeds determine us, as much as we determine our deeds . . ." George Eliot

Wednesday, July 9, 2008

Her Apocrine Allure


Her Apocrine Allure
Originally uploaded by lorenzodom

July 2, 2008, San Jose, CA:

“You’re trouble mister,” she smiled, pushing me away.

I was buried nose-deep in the heady pit of her neck, inhaling deeply, intoxicated by a sultry mix of feline heat and the poison she called her personal line of perfume.

It was a hundred and four and we were deep and punch-drunk in the heart of Texas, sipping on some sweating Lone Star and Tecate beers. Two empty shots of Patron lined with crusty-salt ( "training wheels" the sassy waitress called them) with half-eaten lime wedges sat next to the bottles on the bar. Old Elvis tunes rang through the joint from a jukebox in the corner.

You fooled me with your kisses
You cheated and you schemed
Heaven knows how you lied to me
You're not the way you seemed

She fanned herself with the paper menu, “Wheh! Oh, Lordy, Lord. I’m feeling hotter than a whore in church. What are you doing to me mister?," she intonated, like a siren wailing under the full moon.

I grabbed the arms of her stool and pulled her in again, my knee sliding in smoothly between her damp legs.

She pressed her naked knees together (she loved to wear dresses— "I have a whole closet full of them," she once beamed to me proudly, her dimples curling higher than I've ever seen before); she squeezed them together almost as if she was trying to exorcise that aching feeling; the one that I now sensed. Much like a K9 smells through to a femme fatale tightly wrapped in black leather or a seisomograph feels the trembles of trouble at the fault line, I felt something ornery acoming on, a certain redolent pulsation now emanating from between her whet thighs.

Looking awry at the floor with a shy smile that almost fooled me, she spoke softly, demurely asking, “Have I ever told you that I’ve got a problem with my knees?”

I cocked my head in the same curious manner that dogs do when their masters confuse them, and then squinted, trying to see through my suspicious mind, furrowing my brow so that I just might remember.

Alas, I was caught in a trap, and I couldn't get out, even as I gave one good last shove of the surly lash that was now cocked warily, like a pious pirate ready to plunder, above my one good eye.

Knowing I was hooked, she placed her hands, one atop the other, on my captive knee. And then, looking at me straight in the eye, she leaned in to whisper, al the while digging deeply, “…You see, the problem is that whenever I’m around you, I can’t seem to keep them together…”

Momentarily dazed and confused by the vertigo of her allure— the girlish voice meant to disguise a vixen's intentions, the apocrine waft of her perfume that was now pulsing in synch with the aching drumbeat of my desire, and the sharp pangs that were now coursing up my thigh as she pressed her sharp nails into it— It took me a long moment to understand.

Once she saw the slight curl of my lip, the reassuring tell that told her that, indeed, I felt the pain, she informed me through clenched teeth and a wicked smile of satisfaction "'Vamp,’ the color is ‘vamp,' mister.”

It was then, then that I understood.


"What is second sight? A gift? A training? Or is it simply that suddenly within the brain a thousand impressions, ideas, sights, sounds, and smells coincide to provide an impression of what is to be? The mind gathers its grain in all fields...” Louis L'Amour

*

(R&O thank you for the inspiration)
Lorenzo

Wednesday, January 30, 2008

Where Everyone Knows The Murderer: Catching The Real Bike Path Rapist


On The Trail of The Bike Path Rapist
Originally uploaded by lorenzodom

I thought I’d put in a plug for one of my best friend’s work. He’s a producer at NBC Dateline and on Monday night one of his shows premiered on TV to rave reviews (see comments on Rayner’s blog).

It can now be seen online on MSNBC.com.

As the following article denotes, the redemption of an innocent man, imprisoned for 22 years, and the capturing of the real Bike Path Rapist, highlighted the notion that Buffalo, with a population of over 275,000, is actually a small town, that is getting smaller.

It is ever-shrinking, not only in the sense that since 1950 Buffalo’s population has diminished as its industrial base declined—in the last 7 years alone, almost 6% of its people have moved elsewhere—but also in the more dramatic light that this investigation shined on the fact that many people had everyday, seemingly quite provincial connections with the serial rapist and killer of three.

Needless to say, this gave those involved a poignant sense that—indeed, it is a small world after all.

Strangely enough, this it’s-a-small-world-in-Buffalo phenomena hit home for me this past summer as well.

For while Rayner was in the throes of his investigative journalism on the case, unbeknownst to him, it so happened that I was dating a law student from Buffalo, who was in New York City for an internship.

One evening, fresh from one of his trips to Buffalo, which is 6 hours and 400 miles north of New York City, Rayner stopped by my apartment for a visit.

It so happened that Becca was visiting too, and so when I mentioned that she was from Buffalo, his eyes popped open and he was suddenly inspired to ask her if she happened to know the woman he had just started dating—the woman who would eventually move to New York City from Buffalo and become his live-in girlfriend, the woman who I would come to consider a good friend and who would eventually end up working directly across the street from me on Park Avenue, the woman with whom I would share our television debut, the woman who was a photographer and a fire dancer….

Becca smiled and immediately said, “Yes, you mean Karen? She used to live in the apartment directly above me…”

Needless to say, I too have come to believe that indeed—it is a small world after all.


On The Trail of The Bike Path Rapist
by Rayner Ramirez


One of the safest towns in America reignites a cold case that haunted police for decades after the mysterious killing of a middle class professor's wife and mother of four. Keith Morrison travels to Buffalo, N.Y. to report on the death of Joan Diver and the possible return of the town's "bike path rapist," Dateline

Buffalo, NY: The City of Good Neighbors is "not a small town, but a big room with a large couch." Local historian Bill Zimmerman says that it’s the type of town where everyone knows everyone -- or soon will. From my experience working on this story Buffalo truly is a city of good neighbors.

Perhaps one of the strangest coincidences in this story that reflects Buffalo’s small town feel is that Anthony Capozzi’s sister Pam Guenther attended the same high school only a couple of years behind Altemio Sanchez.

The multi-agency task force was made up of more than a dozen investigators; each brought with them their own personal history of the legendary bike path rapist.

Bike Path Rapist Take Force at Niagara Square, Buffalo, NY

Chief Scott Patronik from the Erie County Sheriff’s Department grew up with Detective Lissa Redmond who happened to attend the same high school as one of Altemio Sanchez’ rape victims.

State Police Captain Captain Steven Nigrelli’s father was a Sergeant in the Buffalo Police Department and his uncle was an investigator on the bike path rapist’s second murder victim.

Amherst Police Detective Joseph LaCorte was on patrol when Linda Yalem was killed in 1990 and has continued to work on the case since.

The tragic killing of Joan Diver, mother of four, brought the four agencies together four agencies -- the Amherst Police Department, the Buffalo Police Department, Erie County Sherriff's Department and the New York State Police. With the advent of modern-day DNA technology identifying the assailant's genetic make up as possibly Hispanic and the unprecedented cooperation and information-sharing between the agencies, the 20-year-old cold case was solved quickly.

Within two months of the formation of the task force, the suspect and admitted bike path rapist and killer was apprehended.

Many of the investigators consider this the best case of their career, not simply for solving a case but also for the silver lining of the investigation: the exoneration of Anthony Capozzi, wrongly imprisoned for more than 22 years.

Detective Dennis Delano (left) with Anthony Capozzi at a party to celebrate his release

As Detective Alan Rozansky said "I told my kids, I’ve been here 36 years. You'll hardly remember who I arrested. But you remember the one person that was innocent that got out because of our police work."

A party to celebrate Anthony Capozzi’s release was thrown by the very same restaurant where Sanchez had dinner with his wife and where investigators collected the glass and napkin that yielded DNA evidence that linked Sanchez to nine rapes and three murders.

In the end, Altemio Sanchez apologized for his crimes at his sentencing. He is serving 75 years but that brings no comfort to his victims or the children who will grow up without their mother.

Tuesday, January 15, 2008

It was a good 40 years…


I did it my way...
Originally uploaded by lorenzodom

I’m dying…

Which is merely to say, acknowledge, accept—that I’ve likely entered the latter half of my life.

After all, even The Chairman of the Board, Ol’ Blue Eyes, the once-immortal Mr. Frank Sinatra eventually had to die too, at the ripe-old age of 82. Both my grandparents lived into eighties as well. And my maternal grandmother passed away at 94—so I’m not really worried…

Although, I did wake up with a sore throat this morning.

In the past, usually I’ve thought a sore throat was just a sore throat, and nothing more to fret about. However, lately, I’ve worried a little more about how, for the last 16 years, I’ve tried to make up for the first 24 years of being relatively straight-and-narrow.

In particular, I’m referring to the regular-irregular indulgence of-in tetrahydrocannabinol.

Hence, I’m slightly more paranoid than usual about my “sore throat.”

Of course, it doesn’t help that I’m dating a doctor who tells me about her dying patients, almost daily.

In fact, in the last 40 days I’ve heard the word “metastasis” 10 times more than I’ve heard it during my first forty years.

Hence, I woke up this morning a bit more worried than usual. Hence, I thought, “Regardless, nonetheless and allthemore—it’s been a good 40 years.”

I’m satisfied that if I were to die today, that I’ve left behind a legacy for my boys, which readily conveys how happy and how exuberant I’ve felt about living. And that, hopefully, will likewise inspire my children and others to feel the same about this wonderful life.

Hopefully, I will live another 40 happy, healthy and fruitful years, if only to enjoy my night on earth just a little longer.

Thus, I’ll think positively, and, for the moment, believe that I will survive my sore throat—especially since it went away an hour after I woke up…

(Although, I’ve still got that certain dull heaviness in my chest that seemingly makes it hard to breath every once in a while—the metastasis pressing against my lungs and all…)


And now, the end is near,
And so I face the final curtain.
My friends, I'll say it clear;
I'll state my case of which I'm certain.

I've lived a life that's full -
I've traveled each and every highway.
And more, much more than this,
I did it my way.

Regrets? I've had a few,
But then again, too few to mention.
I did what I had to do
And saw it through without exemption.

I planned each charted course -
Each careful step along the byway,
And more, much more than this,
I did it my way.

Yes, there were times, I'm sure you knew,
When I bit off more than I could chew,
But through it all, when there was doubt,
I ate it up and spit it out.
I faced it all and I stood tall
And did it my way.

I've loved, I've laughed and cried,
I've had my fill - my share of losing.
But now, as tears subside,
I find it all so amusing.

To think I did all that,
And may I say, not in a shy way -
Oh no. Oh no, not me.
I did it my way.

For what is a man? What has he got?
If not himself - Then he has naught.
To say the things he truly feels
And not the words of one who kneels.
The record shows I took the blows
And did it my way.

Yes, it was my way.

My Way, Frank Sinatra


Note: Because I believe it is important to give credit where credit is due, here is the story behind this seminal song in Sinatra’s repertoire, according to the writer of the song, Paul Anka, as relayed on his website:

Paul first heard the French song, Comme D’habitude (written by J. Revaux, G. Thibault, C. Frankois), in the summer of 1967 when he was in Europe. Although it had different lyrics and a much different feel, Paul instantly connected with the melody. After running into Frank Sinatra, in Florida, who mentioned retiring sometime soon, he asked Paul when was he going to write something for him...so Paul, determined to do just that, returned to New York, sat down at the piano at 1 a.m. and wrote the song. Five hours later, this seminal composition was finished and was sent to Sinatra. After hearing the song, retiring became a distant memory— ‘My Way,’ went on to become Frank Sinatra’s signature song, and one of the most recognizable songs in the world.

Monday, January 14, 2008

God, I Love New York!


God, I Love New York!
Originally uploaded by lorenzodom

View LARGE.

I know I’ve said it before, if you count my posted photos that’s practically 25,000 times before, but I just have to say it again—God, I Love New York!

I got off the R train this morning at 6:55 feeling exuberant after taking a few good shots on the subway and walked up onto Broadway at 23rd—I was in awe of what I saw.

Most people, especially hurried-frazzled, and often frustrated, New Yorkers might likely say, “There’s a bunch of people crossing the street—so what?”

So what is that I saw something much more magnificent.

For I saw a unified horde of dark and tan overcoats scurrying across the glistening wet streets of this teeming metropolis, streets that are often striped with incredibly-aesthetically appealing white lines; the moving scene as a whole, complementing an exquisitely grey-and-blue overcast sky that served as the backdrop to the landmark Flat Iron building in the near-distance.

At that moment I yearned to get my camera out and take more photos. Alas, I knew I had important work at the office waiting for me, and so I couldn’t linger and loiter about the streets as I would have otherwise preferred to have done. I thought to myself, “God, what I would give to be able just to take photos of the city and its people all day long!”

As I crossed Madison Square Park, I also thought, “God, I Love New York!”

Because, I do.

What I see everyday is often gut-wrenchingly amazing to me. Thus, I am often compelled to either take my camera or pen-and-pad out to somehow capture the ineffable.

In particular, I am especially enamored by city people, if only because I believe everyday people are beautiful—much more so than nipped-and-tucked, botoxed-and-otherwise “beautified” celebrities. And I think, if I lived in the country, instead of the city, I find the weathered faces and callused hands just as beguiling.

Nonetheless and allthemore, I am rather fortunate to live and work and love in New York City.

Thus, I practically creamed my pants this morning when I saw a young lady crossing the street dressed in a fashionable P-coat, Prince-purple velvet stilettos, an unlit cigarette coolly dangling from her hand, and jeans tattered at the cuffs—I was whet, not because it turned me on in some sort of sordid-lascivious way, but rather because it piqued the bestial aesthete in me.

Sometimes I walk about this city and think, “Who needs galleries and catwalks and glossy magazines when you have a vibrant-and-glorious living museum buzzing about you day-in and day-out?”

Fact is, if you open your eyes and allow all your senses to tune in to your surroundings, the scenery of your diurnal journey—you don’t! need others to curate, exhibit or otherwise display what is "beautiful" for you. Beauty is truly in the eye of the beholder, and thus, sometimes all you need to do is simply stop, if only for a moment, and behold.

Problem is, most of us, me included, are stuck behind a desk for most of the day. Most of us must grind and grunt and bend over, over and over again, all day long, so that ultimately, we don’t get to see or experience much beyond three grey carpeted cubicle walls. And most of us, are too frazzled and preoccupied otherwise when we leave to take notice of anything as we horse-blind our way home.

Regardless, on my short excursions to and from work, I still find myself invigorated by the little I do get to behold on the streets of my beloved city.

Much of the time what I feel about this town is equivalent to what one feels when you first fall in love with someone, and you want to tell them how and why and that you dolove them—over and over again.

And that’s exactly how I feel about New York City.

Thus, with this set I’m sharing a few sneak preview shots of four different sets of new photos that I am working on, which convey my exuberance and passion for NYC.

The subway shots here were taken this morning at 7 AM on the 1 and R trains, the other two were taken last Thursday night, during and after a photo shoot with my dear friend Gillian Crosson for a prospective upcoming advertising campaign.

Sunday, January 13, 2008

Rauschenberg Runts


Rauschenberg Runts
Originally uploaded by lorenzodom

January 10, 2008, New York City:

Ten of the photos in this set were taken of the crowd at the new Robert Rauschenberg Runts exhibition on opening night at Pace Wildenstein.

I kept hearing everyone asking, “Are these paintings?” Amazingly, they really do look like photographs.

“The paintings Runts on exhibit each measure approximately 5' x 6' and are the smallest works the artist has produced in many years. These channel surfing montages are assembled from Rauschenberg’s archive of photographs, which he then transfers onto polylaminate synthetic material mounted on aluminum panels. Runts represents a decades-long involvement in transfer images that began over 50 years ago transferring the medium of photography into painting.”

And yes, Jessie, he was there; he’s still alive, in a wheelchair, but after 60 years of shows and hundreds of solo exhibits, he's still quite alive…

Thursday, January 3, 2008

The (Dis)Advantages of Not Having Anything to Wear


The (Dis)Advantages of Not Having Anything to Wear
Originally uploaded by lorenzodom

Occasionally, I will complain that men have little choice when it comes to what we wear. Or at least, we have a lot less choices than women do.

On New Year’s Eve, I went out with Chelsea and the night before she told me she wasn’t sure what dress she should wear. I rebutted that I wasn’t sure what I should wear at all, since I had very few choices to begin with.

I didn’t want to wear a suit, because I wear one everyday, and that’s no fun. New Year’s Eve is meant to be fun! and so how could it be fun if I dressed as if it were any other day?

I didn’t want to go casual, i.e. khakis or jeans or even black dress pants with a v-neck sweater, because once again, it’s New Year’s Eve! and dressing casually on New Year’s Eve just didn’t seem festive enough for me.

Hence, I was left with but one choice. One choice, which I knew surely put me at odds with most other men in the crowd—black tie.

You see, I love wearing black tie, and I wish I had an opportunity to wear it more often. Especially since I take some pride in the fact that I can tie a bow tie and don’t rely on a clip on.

Thus, although I knew the party we were going to wasn’t a black tie event per se and inevitably I would get a smattering of “Waiter, more Champaign please!” jokes from the sorely underdressed, I didn’t care. I wanted to dress up for the occasion, and so I was willing to tolerate the jibes in order to befit what I felt should be a time for extraordinary revelry.

*

Besides, dressing in black tie in the past has brought me good luck.

On New Year’s Eve, 1995-96, my girlfriend—eventually to-be wife—eventually not-to-be wife—and I, decided to attend First Night in New York City. We decided to dress the part and got all fancied up, long black dress for her, black tie for me.

Our first stop was dancing at Grand Central Station, where two photographers from The New York Times, took our photos while dancing. Subsequently, we made the front page of The Times, “Dancing (and Kissing)” on New Year’s Day, 1996.

*

However, all that said, after seeing some ghastly outfit on some random girl this morning, I realized that our wardrobe disadvantage can also be a distinct advantage. Because a dearth of dress choices also means it is a lot more difficult for men to make bad dress decisions and fashion faux-pas (paws).

Wednesday, January 2, 2008

Looking In


Looking In
Originally uploaded by lorenzodom

It is the first day back at work of the New Year
and all day long I’ve been looking out the window.

I can’t help but notice that the sky is the limit out there.
Whereas, here inside there’s a pretty short ceiling;
If I get on my ergonomic chair and stretch, I can touch it.

These chairs are designed to keep us comfortable,
they say—to prevent debilitating back and wrist injuries;
I say, they’re so we stay in our chairs longer.

I know I can’t complain, and I’m not, but I am realizing
that, if I’m lucky I have another 40 years of life to live,
and I’m just not sure I want to spend the next 25 of them stuck
under a short ceiling. Actually, I'm sure I don’t.

Yes, I understand a ceiling means shelter, it means safety
and it means security. But it also means less fervor, less fresh air,
and less freedom to do and roam where I want, whenever I want to.

I think I’ve just realized my first New Year’s resolution—
to make a change, so that for the next 25 years I don’t spend my days
simply looking out windows.

I want to look in a little more often.


*

Excerpted from Courage, the Joy of living dangerously by Osho:

But would you like to remain always in your mother's womb? It is very protective. If it was given to you to choose, would you choose always to be in the mother's womb? It is very comfortable, what more comfort is possible? Scientists say that we have no yet been able to make a situation more comfortable than the womb. The womb seems to be the last, the ultimate in comfort. So comfortable—no anxiety, no problem, no need to work. Sheer existence. And everything is supplied automatically—the need arises and immediately is supplied. There is not even the trouble of breathing—the mother breathes for the child. There is no bother about food—the mother eats for the child.

But would you like to remain in the mother's womb? It is comfortable but it is not life. Life is always in the wild. Life is there—outside.

The English word “ecstasy” is very, very significant. It means to stand out. Ecstasy means to get out—out of all shells and all protections and all egos and all comforts, all deathlike walls. To be ecstatic means to get out, to be free, to be moving, to be a process, to be vulnerable, so that winds can come and pass through you.