Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Wednesday, July 9, 2008

Her Apocrine Allure


Her Apocrine Allure
Originally uploaded by lorenzodom

July 2, 2008, San Jose, CA:

“You’re trouble mister,” she smiled, pushing me away.

I was buried nose-deep in the heady pit of her neck, inhaling deeply, intoxicated by a sultry mix of feline heat and the poison she called her personal line of perfume.

It was a hundred and four and we were deep and punch-drunk in the heart of Texas, sipping on some sweating Lone Star and Tecate beers. Two empty shots of Patron lined with crusty-salt ( "training wheels" the sassy waitress called them) with half-eaten lime wedges sat next to the bottles on the bar. Old Elvis tunes rang through the joint from a jukebox in the corner.

You fooled me with your kisses
You cheated and you schemed
Heaven knows how you lied to me
You're not the way you seemed

She fanned herself with the paper menu, “Wheh! Oh, Lordy, Lord. I’m feeling hotter than a whore in church. What are you doing to me mister?," she intonated, like a siren wailing under the full moon.

I grabbed the arms of her stool and pulled her in again, my knee sliding in smoothly between her damp legs.

She pressed her naked knees together (she loved to wear dresses— "I have a whole closet full of them," she once beamed to me proudly, her dimples curling higher than I've ever seen before); she squeezed them together almost as if she was trying to exorcise that aching feeling; the one that I now sensed. Much like a K9 smells through to a femme fatale tightly wrapped in black leather or a seisomograph feels the trembles of trouble at the fault line, I felt something ornery acoming on, a certain redolent pulsation now emanating from between her whet thighs.

Looking awry at the floor with a shy smile that almost fooled me, she spoke softly, demurely asking, “Have I ever told you that I’ve got a problem with my knees?”

I cocked my head in the same curious manner that dogs do when their masters confuse them, and then squinted, trying to see through my suspicious mind, furrowing my brow so that I just might remember.

Alas, I was caught in a trap, and I couldn't get out, even as I gave one good last shove of the surly lash that was now cocked warily, like a pious pirate ready to plunder, above my one good eye.

Knowing I was hooked, she placed her hands, one atop the other, on my captive knee. And then, looking at me straight in the eye, she leaned in to whisper, al the while digging deeply, “…You see, the problem is that whenever I’m around you, I can’t seem to keep them together…”

Momentarily dazed and confused by the vertigo of her allure— the girlish voice meant to disguise a vixen's intentions, the apocrine waft of her perfume that was now pulsing in synch with the aching drumbeat of my desire, and the sharp pangs that were now coursing up my thigh as she pressed her sharp nails into it— It took me a long moment to understand.

Once she saw the slight curl of my lip, the reassuring tell that told her that, indeed, I felt the pain, she informed me through clenched teeth and a wicked smile of satisfaction "'Vamp,’ the color is ‘vamp,' mister.”

It was then, then that I understood.


"What is second sight? A gift? A training? Or is it simply that suddenly within the brain a thousand impressions, ideas, sights, sounds, and smells coincide to provide an impression of what is to be? The mind gathers its grain in all fields...” Louis L'Amour

*

(R&O thank you for the inspiration)
Lorenzo

Wednesday, January 2, 2008

Looking In


Looking In
Originally uploaded by lorenzodom

It is the first day back at work of the New Year
and all day long I’ve been looking out the window.

I can’t help but notice that the sky is the limit out there.
Whereas, here inside there’s a pretty short ceiling;
If I get on my ergonomic chair and stretch, I can touch it.

These chairs are designed to keep us comfortable,
they say—to prevent debilitating back and wrist injuries;
I say, they’re so we stay in our chairs longer.

I know I can’t complain, and I’m not, but I am realizing
that, if I’m lucky I have another 40 years of life to live,
and I’m just not sure I want to spend the next 25 of them stuck
under a short ceiling. Actually, I'm sure I don’t.

Yes, I understand a ceiling means shelter, it means safety
and it means security. But it also means less fervor, less fresh air,
and less freedom to do and roam where I want, whenever I want to.

I think I’ve just realized my first New Year’s resolution—
to make a change, so that for the next 25 years I don’t spend my days
simply looking out windows.

I want to look in a little more often.


*

Excerpted from Courage, the Joy of living dangerously by Osho:

But would you like to remain always in your mother's womb? It is very protective. If it was given to you to choose, would you choose always to be in the mother's womb? It is very comfortable, what more comfort is possible? Scientists say that we have no yet been able to make a situation more comfortable than the womb. The womb seems to be the last, the ultimate in comfort. So comfortable—no anxiety, no problem, no need to work. Sheer existence. And everything is supplied automatically—the need arises and immediately is supplied. There is not even the trouble of breathing—the mother breathes for the child. There is no bother about food—the mother eats for the child.

But would you like to remain in the mother's womb? It is comfortable but it is not life. Life is always in the wild. Life is there—outside.

The English word “ecstasy” is very, very significant. It means to stand out. Ecstasy means to get out—out of all shells and all protections and all egos and all comforts, all deathlike walls. To be ecstatic means to get out, to be free, to be moving, to be a process, to be vulnerable, so that winds can come and pass through you.